Jazz it Up! is produced by  BROWNSTONE DIGITAL, INC. copyright  2014  | Your online/mobile televison network. All Rights Reserved
  • BrownStone Digital's productions of "Family Friendly" online/mobile interactive TV shows. The world is yours, the internet is ours!!Read more
  • Jazz it Up! our online/mobile jazz news and entertainment series. Now in it's 3rd season. The premiere episode featured the phenomenal, sultry jazz vocalist Dianne Reeves. Also, featuring Ben Williams and his band. In every episode there is jazz news, special segments, a vintage performance of a Jazz Legend and more. Frequency: 2x month ENewsletter: Jazz inBetweenRead more
  • Dianne Reeves performing on Jazz it Up! - One of the prominent female jazz vocalists in the world, Dianne Reeves, is set to release her Concord Records debut, Beautiful Life, on February 11, 2014. The album showcases Reeves' sublime gifts by melding elements of R&B, Latin and pop within the framework of 21st Century jazz.Read more
  • Ben Williams performing on Jazz it Up! - Benjamin James Williams is a native of Washington, DC. He also performs on electric bass and piano as well. His musical influence is rooted in various genres of music including jazz, hip-hop, R&B, gospel, and classical. Read more
  • Jimmy Heath at Dizzy's Club CocaCola for Jazz it Up! Also know as ''Little Bird'' Jimmy Heath of the Legendary Heath Brothers, has long been recognized as a brilliant instrumentalist and a magnificent composer and arranger .Read more
  • Beka Gochiashvili performing on Jazz it Up! - Beka Gochiashvili was born in Tbilisi, Georgia on March 11, 1996. He was just two and half years old, barely reaching his upright piano claviature, when he suddenly surprised his father by playing some of Scott Joplin?s Ragtime tunes he heard on radio.Read more
  • Etien Charles performing on Jazz it Up! - Etienne Charles exhibits both an authentic preservation of the music of his native culture of Trinidad as a composer and bandleader, while broadening our scope of understanding through the collaborative sound of American jazz...Read more
  • Gerald Albright is an American jazz saxophonist and multi-instrumentalist. Albright has sold over 1,000,000 albums in the U.S. alone. His self-produced music features him on bass guitar, keyboards, flutes, drum programming, and background vocals. Here Gerald Albright performs from his new CD at J&R in NYC. Read more
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Jazz it Up! is the first interactive online
mobile based TV news series to offer a
direct look into the originated American
musical art form of Jazz.

Now in it's Third season, we will
continue our journey to see and hear
from some of the hottest Jazz
performers, educators, students and
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Jazz History Time Line - The Roots of Jazz
Before 1850

Though jazz and classic blues are really early twentieth-century black music innovations, certain characteristics found in jazz do have their roots in much earlier musical traditions. Call and response, improvisation, the appropriation and reinvention of elements from Western art music: black music in the twentieth-century has never held a monopoly on these musical practices. For instance, the era American historians call "antebellum" (roughly 1815-1861) holds much of interest to researchers looking for the deep roots of jazz.

There was one condition that had to be met for a black tradition unique to North America to develop. There had to be a creole population in place, i.e. a population of blacks born not in Africa but in America. Historically, and for various complicated reasons, slaves in the United States began reproducing their numbers after the closing of the African slave trade in 1808. The creole birthrate actually climbed in the United States, as opposed to most Latin and Caribbean American colonies. Unlike in Brazil or Cuba direct African infusions into black American culture were much less pronounced in the early and middle nineteenth-century. After 1808, blacks in North America began remembering--as well as forgetting--African musical traditions, reinventing them to fit their needs in an entirely different American context. This is an important thing to remember, especially if you hold with Amiri Baraka that "Blues People" have always been curiously American "Negroes."  continued


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